Christy DeSmith weighs in on Off-Leash Area’s most ambitious “movement theater” production yet, examining the brutal conditions faced by those making the treacherous desert border crossing from Mexico to Arizona.
- MNSpeak
- »
- Border Crossing
Christy DeSmith weighs in on Off-Leash Area’s most ambitious “movement theater” production yet, examining the brutal conditions faced by those making the treacherous desert border crossing from Mexico to Arizona.
Exclusive deals, featured events, and the latest from MNSpeak, delivered straight to your inbox.
Skug and jane - I pretty much agree. (Boring!)
It is the point when defense contractors also suck off the public teat. Corporate welfare. Puts dollars in Dick Cheney's pockets.
Fuck weapons of war also noodleman I don't want to pay for that either. Can you say red hearing. Pull out of every base around the globe is my ho...
Well, gosh, swandog. Let's make churches responsible for the behavior of all their congregations. But then who would be financially responsible for...
Assurance Process The American resettlement organization must "assure" the Department of State that it is prepared to receive each matched refugee...
Here's a short summary of the refugee resettlement process in the US: http://www.refugees.org/article.aspx?id=1082&subm=40&ssm=47&a...
Just did a quick search, and it appears that for 2009, the refugee quota was set at 80,000 again. Usually, fewer refugees are actually admitted th...
"So your premise is that the churches have nothing to do with importing refugee populations into the state." No ,they are involved, but the refu...
http://www.mnchurches.org/programs/directservices/refugeservices.html Our Partnerships: Refugee Services became a program of the Minnesota Counc...
Noodleman - I do NOT think that Somalians commit more welfare fraud than other groups of people. People are people they will always maximize a giv...
© 2002-2009 Entropy Publishing, LLC.
No part of this site may be reproduced in any form without the express written permission of Entropy Publishing, LLC. except that an individual may print for personal use and/or forward articles via e-mail to a reasonable number of recipients for personal, non-commercial purposes.
5 Reader Comments
12:08 am
Great to see Christy DeSmith out there doing what she does best. Kudos. On a side note, I received a letter from the author, which was very telling. She was very disappointed in the play and wrote a letter of apology. See it here.
7:59 am
Interesting paradox. The reviewer says the play effectively avoided heavy handed indulgence.
The playwright says they cut important parts of dialogue.
I argued to give voice to the oppressed. My voice was silenced.
Got drama?
Maybe the director was trying to avoid heavy-handed indulgence and the playwright’s attempt to bludgeon a message into people.
8:32 am
As usual, the playwright’s wishes are ignored. This happens all the time in theatre and film. They should not have changed the script without her permission.
i saw the play, and for me the parts with the migrants were very beautiful. They “spoke” through their movements: Ilse cast dancers for those roles. I think this is a valid take except for the fact that if they were going to veer so much from the intention of the playwright, they should have just written their own play.
10:02 am
The play looks interesting, but the author seems to be a fan of hyperbole, see qoute: “I heard stories of a sea of sorrow a desert littered with the bones of people trying to get here for a better future for themselves and for their future generations.”
Really? huh? Really? If that many folks are dying in the desert, the reward had better be pretty damn good. Oh wait it isn’t, we were tricked. Life of drudgery here or a life of drudgery there, take your pick.
I’ll race you to the bottom!
12:46 pm
but the author seems to be a fan of hyperbole
Given that letter, she seems quite full of herself.